American Ninja II and Creepshow 2

November 21, 2011

If you recall American Ninja, you’ll remember that our hero (Michael Dudikoff) is an American Army man, trained in the ways of the mysterious, black-hooded ninja. This makes him all but indestructible. If you think about it, this removes a considerable amount of suspense, since the guy can’t possibly be threatened by any conventional opposition.

Nevertheless, he’s back in American Ninja II, again victorious over insurmountable odds. Joined by his Ranger buddy (Steve James, who has become a kind of black Chuck Norris), Dudikoff travels to a tropical island to solve the mystery of disappearing Marines. As the plot unreels—or, rather, unravels—it turns out that a batch of the ninja are carting away American military men to be cloned in experiments to produce a race of “SuperNinjas.”

In other words, “Karate Theatre” meets The Island of Dr. Moreau. Very strange story. However, director Sam Firstenberg, who has made a lot of weird stuff for Cannon Films, keeps this one lively for at least its first two thirds (there’s a barroom brawl about every five minutes). Then the SuperNinja business gets out of hand, and the movie grinds down.

Creepshow 2 is another sequel, but this time spun off from an original film that was quite watchable. The first Creepshow had the indefatigable Stephen King writing a screenplay, directed by George Romero, that paid affectionate homage to pulpy horror comic books. It wasn’t too scary, but it was stylish and fun.

For the sequel, Romero has adapted a trio of King short stories, but the directing reins are held by Michael Gorlick. King’s actual participation is limited to an acting cameo, as a dimwitted truck driver, that is actually one of the sharpest performances in the movie.

The first story is called “Old Chief Wood’n Head,” and it’s a snoozer that wastes Dorothy Lamour and George Kennedy in a tale of Native American justice. The second, “The Raft,” is somewhat better, if only because King’s idea is basically scary. It’s about a quartet of teens trapped on a raft, in the middle of a lake, by a huge gloppy thing that slides across the surface of the water.

The film is rounded off by “The Hitchhiker,” about a woman (Lois Chiles) who runs over and kills a hitcher, only to have him disconcertingly return. It’s the best of the lot, directed and acted with some intensity and black humor, with some of the creepiness inherent in spooky stories about hitchhikers. But it’s not quite enough to justify sitting through the previous tales, brief though they are.

First published in the Herald, June 5, 1987

Creepshow 2 was a bum deal, even if “The Raft” sticks in the mind as one of King’s effective stories. I have forgotten AN II, but the plot sounds agreeably deranged. Firstenberg (I don’t need to tell you) managed a few outrageous Cannon titles, including the stupefying Ninja III: The Domination. The real title of this Firstenberg effort is apparently American Ninja 2: The Confrontation, but I guess I didn’t know that at the time.


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