Gorky Park

January 17, 2012

During Gorky Park, you should be thinking about the murder mystery: Did the KBG kill those three people in Moscow’s Gorky Park? Or was it that rich American furrier (Lee Marvin)? Will the Russian detective (William Hurt) fall in love with the mystery woman (Joanna Pacula) who may have known the dead people, or will he betray her? And what about the American (Brian Dennehy) who keeps sticking his nose into everybody’s business?

These are things you should be thinking about during Gorky Park. Maybe you’ll be able to, but I wasn’t. Nope, I was thinking about William Hurt’s accent.

For some reason, Hurt has adopted a British accent for this movie. Maybe it’s because most of the other actors are British—even though they’re all supposed to be Russians, anyway—and Hurt isn’t supposed to stand out by comparison.

Hurt is the kind of exciting actor who is always taking chances; he’ll read a line as though nobody had ever said anything like it before—even if it’s a dumb line. When he’s cooking—as in Altered States, Body Heat, or The Big Chill—there’s no one more interesting to watch.

But speaking in this absurd accent seems to have taken up the better part of his artistic concentration for Gorky Park. Now he’s not just trying to give a line a fresh reading, he’s struggling to get the pronunciation right, too. I tell you, it’s distracting.

And the mystery is so convoluted that, if you get distracted, you’ve lost it. That may be part of the point of the film—that the various plots and reasons for the murder are so tied up in knots that they become meaningless.

That’s fine, but director Michael Apted and screenwriter Dennis Potter are not quite up to the challenge of spinning this yarn with the clarity it needs (it’s based on a best-seller by Martin Cruz Smith). Gorky Park lacks focus; it’s missing the thread that would pull together its shadowy elements.

The locations are nice, thought—most of it was shot in Helsinki, Finland—and some of the supporting players seem to be enjoying themselves, especially Ian Bannen as a Soviet prosecutor and Rikki Fulton as the head of the local KGB. Like almost everyone in the film, they’re both completely untrustworthy.

And Lee Marvin is good to have around. He plays the rich fur trader who wants to get some live sables out of Russia so that he can break the Soviet Union’s monopoly on that expensive fur. Somehow this leads him to an involvement with four young people, three of whom wind up in shallow graves, buried by the falling snow at Gorky Park.

The surviving member of the group, played by Pacula, has her hands full—not only is she connected to the ghastly murders, she’s also caught in a sexual tug-of-war between Hurt and Marvin.

Hurt, despite the distractions, has his moments. But I hear his next movie is Kiss of the Spider Woman, now shooting in Brazil. Uh-oh. Let’s hope he plays an American tourist, not a Brazilian generalissimo.

First published in the Herald, December 15, 1983

I can remember watching this again on a drowsy winter afternoon on TV, when it seemed endless and wintry and dull. The cast alone suggests giving it another try, but I think I’ll tackle The Russia House again before that happens.

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