That’s Dancing!

December 13, 2012

thatsdancingThat’s Dancing! isn’t much of a movie—but then it doesn’t have to be. It provides plenty of entertainment by helping itself to large portions of other movies, many of which are very good indeed.

It’s the approach taken by the That’s Entertainment! movies (they’ve even kept the exclamation point), but in this case the musical numbers consist only of dancing—no extraneous material. The dance numbers from the history of the movies are introduced and narrated by Mikhail Baryshnikov, Ray Bolger, Liza Minnelli, Sammy Davis, Jr., and Gene Kelly. Kelly also served as executive producer.

Kelly and Jack Haley, Jr. (who also was responsible for the That’s Entertainment! films), start the film—after a gratingly splashy opening number—with a chronological history of dance in film. Early nickel flickers and silent extravaganzas are glimpsed.

Then that mad choreographer-director, Busby Berkeley, is showcased, with wild clips from some of Berkeley’s 1930s Warner Bros. musicals. Some of this stuff, which really makes you wonder what kind of medication Berkeley was taking, is reason enough to stay up for late-night TV and catch these films in their entirety.

Fred Astaire is duly honored, of course, including his solo to the ironic strains of “I Won’t Dance.” We also get to see a dance from The Wizard of Oz that was trimmed from the final release version.

It’s an extension of the Scarecrow’s “If I Only Had a Brain” dance, and it’s perfectly delightful—nothing great, mind you, but with Ray Bolger bouncing between rubbery fence posts and flying over the corn fields, it certainly qualifies as a wonderful almost-lost nugget of Hollywood history.

A section on classical ballet in movies follows, and this is the point at which That’s Dancing! goes astray. A bit too much time is spent paying tribute to classical greats, many of whom had little to do with dance in movies.

This is also the point at which the film abandons its chronological movement, becoming instead a tribute to the key stars of the genre. Thus the movie seems directionless, although it’s hard to care much when the clips are this good.

There’s a sensational duet of one-upmanship by the Nicholas Brothers, from Down Argentine Way; a hilarious bit from It’s Always Fair Weather with Kelly, Dan Dailey, and Michael Kidd hoofing it up with the handicap of a garbage can lid attached to each foot; and the sizzling “Cool” from West Side Story.

The narrators take pains to tell us who the principal dancers are, and even the directors and choreographers. For some reason, and this is unfortunately common in compilation films such as this, there is no written identification of each clip. It’s always nice when a title is flashed at the bottom of the screen when a scene comes on, but maybe they thought it would be too complicated for the audience. Hmm.

First published in the Herald, January 19, 1985

Yes, for some reason this one didn’t catch the giddy magic of the first couple of compilation films under this banner. In the 1970s the first two That’s Entertainment! movies were big box-office hits; but they’re all museum stuff now.