The glorious event referred to in the title of Those Glory, Glory Days is the victory of the 1961 Tottenham soccer team in the football Final Cup—the first time a soccer team had won the English “double” in this century. (I’m not exactly sure what the “double” is, but it seems to be something very, very big.)
This victory is the central event in the lives of four schoolgirls, who form an exclusive club to follow and worship the ups and downs of the Tottenham Spurs. The season is remembered in flashback by Julia, who in adulthood is a journalist covering her old favorite team.
In the flashback, the young Julia (Zoe Nathenson) gains entry in the secret club when she reveals her football fanaticism in class one day. When the teacher asks her name, Julia claims her name is Danny. “I’ve taken a pseudonym,” she blithely announces, in honor of her all-time favorite Tottenham player, Danny Blanchflower.
This foolish act impresses the other club members (Sara Sugarman, Liz Campion, and Cathy Murphy), and they take Julia/Danny to the football stadium, where the initiate her in a ceremony that includes strapping on a Spurs kneepad and invoking a “God playing football, in a Spurs shirt.”
They follow the team’s successes throughout the season, climaxing in some frenzied attempts to get tickets for the Cup Final game, which has Julia spending a reverential night in the deserted team headquarters.
At the same time, the film charts the marital woes of Julia’s parents, who seems as oblivious to their child’s enthusiasm for sports as she is of their problems.
This little tale is an autobiographical screenplay by Julie Welch, who really is a sportswriter for a London newspaper. Welch went through soccer mania as a child, and she actually bumped into her childhood idol, Blanchflower, many years later (an encounter that forms the framing device for the film).
Welch’s script is directed by Philip Saville, who captures a number of lovely moments, notably the stadium initiation and Julia’s frantic rounding-up of her pals when she thinks she really has got tickets for the Cup Final.
Saville doesn’t quite tease out all the possibilities in the situation. Julia’s night in the team headquarters, full of awards and photos, is not quite the marvelous epiphany it should be, for instance.
But he gets most things right, and he’s certainly done well by his leading lady, Zoe Nathenson. She gives a lively performance as Julia, with her hair all askew and her ungainly eyeglasses held fast with scotch tape. The performance has the kind of clarity that only some child actors seems to be able to give, and it gives the film its steady forward motion.
First published in the Herald, May 8, 1986
Another of the “First Love” series produced by David Puttnam. I like soccer, although I betray my ignorance of the leagues and seasons and all that, which is mystifying.