Leviathan has exactly the same plot as Deep Star Six, a film released in January. Both movies are about a station at the bottom of the ocean menaced by a sea monster that attacks the crew members one by one.
Is there something in the collective unconscious that fears big, ugly things that emerge from the ocean floor? Perhaps. Or could it be that two production companies had the idea for ripping off Alien at the same time?
Whereas Deep Star Six was a bouncy exercise in B-movie silliness, Leviathan comes equipped with some A-movie trappings. It’s got some actors, for starters, and a more impressive set design. The basic idea is slightly more clever: The crew of a mining station discovers the hull of a Soviet ship resting on the sea floor. They investigate.
A couple of the crew decide to drink from the ship’s still-intact vodka supply. Bad idea. This causes, as the doctor (Richard Crenna) puts it, “Some sort of genetic aberration,” and the afflicted mutate into big ugly slimy things that want to kill.
The response of the guy in charge (Peter Weller, Robocop) is to fire up all the power tools, zip the bodies in plastic, and set ’em adrift. Unfortunately, he doesn’t see the spare limb that gets sheared off and left behind, like a demonic leg of lamb. When it reconstitutes itself, things really shake loose.
Some of the other crew members include Hector Elizondo, Ernie Hudson, Lisa Eilbacher, and Daniel Stern. A decent enough ensemble, but with very little to do except wait around to get slimed. Also, there’s Amanda Pays, a luscious British actress (from the “Max Headroom” TV show), who is the resident fitness expert. This means the filmmakers must find excuses for her to jog around in tight sweat clothes. Which they do.
Director is George P. Cosmatos, best known as the man who guided, or endured, Sylvester Stallone in Rambo II and Cobra. Cosmatos clearly has his heart in action sequences, and Leviathan gives him a few to play with. Unfortunately, there’s nothing else going on, and the movie stiffs out long before it’s over. Lloyd Bridges, where are you when we need you?
First published in the Herald, March 16, 1989
This film is no relation to the 2012 release labeled “best of the year” by Cinema Scope…or is it? I haven’t seen the other Leviathan, so I suppose I really can’t say.